FREE WORSHOPS - TRASH 2016

Submissions open until 12/105

LIMITED PLACES

www.mostratrash.com

​

​

 

1 – WORKSHOP OF SPECIAL EFFECTS IN MAKE UP WITH RODRIGO ARAGÃO

 

PREPARE YOURSELF FOR AN EXCLUSIVE EXPERIENCE IN THE FANTASY WORLD OF SPECIAL EFFECTS!

 

Destined for special effects lovers, professionals and amateurs, the Special Effects in Make up Workshop will teach tecniques used in thearter and film in the characterization of characters and in the creation of illusions and effects following international quality designs.

 

Date: 12/08 and 09

Time: from 2PM to 6PM

Place: Sala Multimeios do Centro Cultural Marieta Telles Machado

Address: Praça Doutor Pedro Ludovico Teixeira, 2 - Centro, Goiânia - GO

Requirement: be at least 16 years old

Hourly load: 8 hours

 

Content:

 

- History of metamorphosis in the film by Lou Chain the Face Off

- Knowing the material, its use and care

- 2D Transformations: creating illusion of depth – Painting Tutorial

- Knowing látex, the most important item in the kit

- Practical demonstration of 3D wounds

- Homemade Moldable Mastic. Imagination is the limit!

- Hands on: mixing tecniques

- Gelatine Zombies – How to produce and manufacture the material

- “Zombification”

-  Hair and application

 

 

Rodrigo Aragão

 

​

 

 

 

 

 

 

​

 

 

 

He is a director and make up artist, one of the important names of horror films of Brazilian scenery. Has worked on the special effects field for 20 years. In his resume, more than 25 theater pieces, 15 short films and various cinematographic events. Is creator of the itinerant horror show, Mausoleum (2000 a 2016). With the first stream film, Mangue Negro (2008), considered cult by specialized critic, he won international projection and awards like the Best Film in Buenos Aires Rojo Sangre, in Argentina. With his second film, A Noite do Chupacabras (2011), Aragão became reference in special effects all throughout Brazil. He closes the trilogy of tropical horror with stream film, Mar Negro (2013), and is  acknowledged as one of the two main figures of special effects in make up art of latin american gender films. In his success, Aragão accomplished in 2014 his dream of working along side with filmmaker, José Mojica Marins in the film that opens up the TRASH 2016: As Fábulas Negras (2015).

 

 

 2 -  ALFRED HITCHCOCK WITH CARLOS PRIMA 

This workshop’s proposal is to present the work of filmmaker, Alfred Hitchcock in a broad manner, going from his first silent movies, made in England, to his international consecration since his arrivel in Hollywood in the beginning of the 1940’s. The recurring themes like, guilt, sin, schizophenia, the mother’s dominating figure and sexual obsessions are analized with filming tecniques created, designed and/or enhanced by Hitchcock to form a style that has his own and distinct trait and at the same time it’s also one of the most immitated by filmmakers of various generations. The cuisine, handling the costumes and the music choice are also among the themes discussed in the course.

 

Date: 12/08 ,09 and 10

Time: from 2PM to 5PM

Place: Escola Goiana de Desenho Animado

Address: Alameda do Botafogo, 235 / Sala 02 - Centro

Requirement: be at least 16 years old

Hourly load: 9 hours

 

Content:

 

CLASS 1

- Summary of career

- Mounting tecnique

- The theater of author and the producer’s influence

- Mistaken concepts about the hitchcockian film

- The narrative itegrity

- The theater’s influence and the act of interpreting roles

- The planning tecniques of the film

- The manipulation of the look and spying

- The fears and neurosis

 

CLASS 2

- The devided personality and Double symbolism

- The train and touristic seneries

- The symbolic use of the costumes

- Sound experiences and the meaning of songs

- The false culprit and the transfer of guilt

- Sex and death

- Ther hitchcockian woman: desired, inaccessible, indomitable

- The symbolism of the cuffs and something about the wedding

- The cuisine and tasting of the crime

 

CLASS 3

- The dominat mother and devastation of family

- The birds as a metaphor of mental disorder

- Hitchcock, master of marketing

- Hitchcock in all media

- The selection of themes under the commercial perspective

​

Carlos Primati

​

​

 

 

 

 

 

 

 

 

 

 

 

 

Curator of TRASH screenplay since 2012, Carlos Primati is a journalist, critic, translator, historian, and researcher dedicated to horror films worldwide for at least 20 years. He published articles in books about the work of the filmmaker Carlos Hugo Christensen, establishing partnership with Heco Productions in screeplays dedicated to national production in genre. He wrote auditions for George A. Romero screenplay catalogs, for actress Ruth de Souza and for the senery of Kirk Douglas. Contributed in the book Maldito, by André Barcinski and Ivan Finotti, in the 1998 original edition and in the 2015 revised and amplified new edtition. Co-produced, with Paulo Duarte,  Coleção Zé do Caixão in DVD, winner of the first DVD Award Brazil as best collection of the year, and participated in the 2013 new editon of the collection, where he interviewed the filmmaker and signed a critic essay. As translator, he assists the DarkSide publisher with books about Robert Englund and the TV series TwinPeaks. He gives film courses about Alfred Hitchcock, German Expressionism, Horror Films, the 1950’s Scientific Fiction, Independent Horror / Grindhouse Films, Zé do Caixão, Horror in Brazilian Films, Scientific Fiction and Fantasy in Brasilian Films, Zombie Apocalypse, Blaxploitation Horror etc., participating in festivals and screenplays around Brazil as Hitchcock (CCBB-SP and Belo Horizonte, and Unimonte, in Santos).